All posts by Kent »
Spider-Man: No Way Home Review
In what will most likely be the biggest box office release of the year, Spider-Man returns to theaters to complete the high school trilogy that began with a John Hughes knock-off and continued with
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West Side Story Review
Exactly 60 years ago, the original West Side Story hit theaters. This classic (written by Jerome Robbins, Leonard Bernstein, Stephen Sondheim and Arthur Laurents) balanced a fine line of dance fighting and incorporating a timeless
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Eternals Review
After not being able to lose money at the box office, Marvel is just throwing things at the wall at this point. The studio has proved that they can balance ensemble team-up flicks with
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Last Night in Soho Review
Edgar Wright has long been one of my favorite directors. His work spoke to me in my geeked out 20s and has evolved slightly, just as (hopefully) I have. The resounding aspect of Wright’s
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Dune Review
I consider myself a geek. Though, apparently I’m the type of geek that just won’t make the time to indulge in science fiction or fantasy novels that focus on political machinations. I have Frank
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Halloween Kills Review
Michael Myers is back. Again. Like again again. I don’t know. I’ve lost track. With this sequel to the relaunch of the series, we get a direct continuation of 2018’s Halloween. Halloween Kills starts
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The Last Duel Review
Ridley Scott (Gladiator, Alien, Kingdom of Heaven) makes a return to the past with his latest movie, The Last Duel, and brings along a cast of A-listers and rising stars. To explain the synopsis
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No Time to Die Review
One of the first movies to get delayed early last year was James Bond’s 25th movie. It jumped to numerous release dates in hopes that someday it could make its money at the box
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Venom: Let There Be Carnage Review
Do you remember that a Venom movie came out three years ago? I barely recall it as well. It could be because time means nothing in this vortex of melancholy we’ve all been living
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Dear Evan Hansen Review
Dear Evan Hansen made its Broadway opening back in 2016 and has been making crowds cry since then. It was a critical and audience darling, winning several Tony Awards, from Best Musical, Best Score,
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